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Die Rhythmogramme von Heinrich Heidersberger (1906–2006) sind delikat gekrümmte Kompositionen
die bereits einen festen Platz in der Gegenwartskunst einnimmt
Er untersucht dabei in unterschiedlichen Medien
Zudem war Abidi an Gruppenausstellungen bei der 8
Die vier Werkgruppen setzen sich erneut mit der Frage auseinander
Marie-Jo Lafontaine bernhard-buerdek Die Rhythmogramme von Heinrich HeidersbergerWith her 1987 video sculpture Les Larmes d'acier [Steel Tears], the Belgian artist Marie Jo Lafontaine created a work for documenta VIII in Kassel that caused a huge stir and is still remembered today. This was the international breakthrough for an artist who had already received widespread recognition but who was now greeted as a pioneer in the new media of video art. As David Galloway has said, there is no other European video artist who has
